for release number six we have invited gothenburgs very own jackmaster sankt goeran. a devoted record collector and dj extraordinaire. the a side, local legend, is a 10 minute long acid train with a jackin beat. the b side, wallenberg6, is a melodic, sun drenched jam with a tasteful disco vibe. a versatile ep thats pressed on a white marbled vinyl. artwork made by kid kroft.

micro-scene main mans deconstructed-dance endevor takes his diagonal dub, mood mixin wonk wizardry to someplace strange & sideways. a style-sampler, approaching acid, teasing techno, & jumbling jazz.

killer deep / acid house stomper

*its own course* is a double whammy! jay west and stee downes join forces to deliver a true club bomb with an acid touch. it combines a groovy bassline, impulsive drums and warm rhodes chords that simply reek of hit-potential. the track has a compelling build-up, storming towards an inevitable climax and is shimmed by stees distinctive voice. let yourself be guided by its flow.

transparent vinyl. part 2 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

one more heavy hitter on credo, and this time we could even say two tracks that form an ep as strond as the so far most sold credo-release from 2007 - bullet in your heart. the name tells already some connection to australia and indeed the basic idea came up during alex tour down under in fall 2012 where he played three cities within three days and a total of 9h playtime for which he travelled 64h in total. sydney acid is the main track of the ep, no doubt and hard to describe. it is a pure, driven technotrack with a fierce, no blubby, but very powerful acid bassline aiming at riots on the dancefloor. melbourne dub tells exactly what the track is all about and by the way featuring the sound of the local traffic lights that made alex thinking about creating some tracks related to it.

with the crispy voices by anna patrini and yasmin gate, adriano canzian transforms the macho boy in pure acid techno 12inch sensuality. containing 4 tracks (black, gold, red and purple reworks), macho boy females reworked edition 2013 deflowers 51beats - at its first vinyl print.

vanguard sound proudly presents their new sub label anunnaki cartel! this debut release features four strong analogue chicago acid-house & house tracks by chris mitchell, amir alexander, joey anderson and chris and amir. limited copies and no repress

sweet sweet vocal chicago-house pureness by tevo howard featuring rick poppa howard on vocals, reminding of the early beautiful granville days. a highly emotional and intimate track which the label is honoured to release. labelboss paul du lac on remix duties delivers two stripped-to-the-bone jackin trax for devastating club abuse, one vocal version, one instrumental version.

located in eindhoven, the netherlands, ivo hartman has been producing and playing gigs using a variety of pseudonyms. presently, he is focusing on his own imprint ivo hartman music. this label will present his vision on todays (dub-) techno and acid. expect deep, obscure soundscapes and techno rhythms that seem endless. pressing on dark transparent, smokey marbled 10 inch vinyl.

acid-bass-line driven, atmospheric & stripped down dj tool by cheap and deep, remixed by brendon moeller.

nice price deal !!! the braindance ep marks a first outing on throne of blood for veteran philadelphia dance music weirdos pink skull

2013 is the debut album from justin velor, a vibrant technicolor collision of styles (you might call it a musical dr. frankenstein, he says) incorporating everything from vangelis-inspired synth drones and nocturnal acid house rhythms to tender folk melodies and psychedelic flourishes. >i wanted to make a fantastical soundscape with colourful dynamics and a soul,< he explains.

many missed the great 3rd romb release with the secret weapon of serge and mark du mosh, the b2 track by pawel kobak (psssst! we didnt tell you this!) the 4rth romb release also comes with a clear focus on the dancefloor and received strong support from guys like cos/mes, mark e, james priestley, disco dromo and others. romb again takes a stance for musical diversity, presenting a snapshot of the stockholm electronic music scene. great production, with tracks stretching from acid to more minimal house and techno, combining classic sounds with new ideas. get a copy while you can - only 200 copies pressed!

the latest offering from the balearica imprint featuring more top quality sun-kissed gems. first up is derrick harriots *black skin blue eyed boys*, a fantastic reggae disco cover version of the equals classic originally released on the mega rare *acid rock* lp back in 1982. following this bomb is the funky party killer, david lampells *iranian groove*. the flip side features the exceptionally hard to come by 12 inch version of *praise jah* by trinidadian singer oluko imo that captivates with its predominant funk bassline and inventive keys. finally, we have amadeos hugely in-demand *memories*, a spacey balearic disco groover that has been popping up on many djs most wanted lists ever since it was one of the standouts of harveys brilliant *sarcastic disco mix*. wonderful stuff!

doldrums ist das psych-pop-projekt des 22 jaehrigen airick woodhead aus toronto. ein sound der zwischen zerhackten samples, geisterhaften vocals und percussions zu schweben scheint, alles zusammengehalten durch airicks stimme, der wohl androgynsten im alternative-electro universum.
pressung auf schwarzem vinyl, inklusive mp3-downloadcode.

billy nasty announces the re-launch of his tortured and electrix labels... a great re-start to this label – radio play and dj support already from: marcel fengler, richie hawtin, norman nodge, rolando, dvs1, colin dale, trevor rockcliffe, the black dog, speedy j, slam, samuel l. session, rob booth, marco bailey, james tec, dj deep, alan fitzpatrick, darko esser, kyle geiger, dj snoop, kr!z, angel molina, anderson noise, adam jay, dj hyperactive, dustin zahn, gary beck, mark archer, ritzi lee and many more...

sampler 2 kicks off with scbs dissipate, a gritty 4/4 number thats been driving dancefloors crazy with its seemingly constantly ascending intro. this is definitely one of scbs finest productions to date and hugely sought after by his followers. basic soul unit provides the aa side, hot off the back of his debut nonplus 12 he continues in the same vein with untoward. this is heads down techno of the finest quality and this time hes thrown some acid into the equation which bubbles and brews into a monster of a track.

just when you thought you knew what you were going to get from flashmob they switch it up completely, stamping their mark of quality and proving their versatility as producers they turn in an old school acid house stomp. dark, rumbling bass, spoken female vocal, and complimentary 303 acid squelches make both the garage mix and panorama mix equally at home in a field around the m25 circa 88 as it does on the floor at dc10 in 2013. watch out. acid house is back!

is he good - or is he wicked? - with this quote from alice in wonderland, clemens started his highly acclaimed fÖn records series in 1996. 2013 neufeld is back and taking raw acid techno to the next level. wicked is a bass heavy straight banger for the big floors, driven by haunting distorted off-beat percussion and naughty 303 bassline action.us-techno legend angel alanis, true master of disaster since his early works on woody mcbrides offshots, totally destroys it with a super ruff earthquake bass monster. nobody less then gez varely aka g-man, legendary half of the techno pioneers lfo from leeds, uk, provides another remix in his very own flavor - deep, dubby and hypnotic - a guaranteed floor filler. recorded in vienna(a), indianapolis(usa) and leeds (uk.

this release announces a new addition to the yoruba family!

killer acid 4 track vinyl

eclectic avenue welcomes the inimitable lil mark, one of the true stalwarts of the uk house scene & regular contributor to some of the finest imprints worldwide. here mark expertly shows his unique knack for genre-straddling. kicking off with pulling strings more familiar lil mark territory, with his trademark tight-as-hell percussion & firing bass sat below a freaked-out twisting riff. seriously, this bad-boy takes no prisoners....other than the ones on the dancefloor.... on the flipside we are treated to memoirs, a beautifully sumptous lo-slung roller, utilising a vox refrain over the top of a glorious rolling bass groove. like being comforted by a welcoming acid-bass-hug, this is truly something special. nestled inbetween marks original cuts is e.a.r. main-man j.cub, who offers up an alternate interpretation of memoirsl. taking the vox refrain & weaving it throughout the track like an instrument, j.cub nudges the tempo up slightly & adds a solid percussive backdrop & a reworked bass groove, creating a cut which is deep enough to warm the crowd but packs a solid punch at the same time

massimiliano is back where he belongs. a backbone of live at robert johnson records, pagliaras take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. with this sound palette, a love for hardware and surgical arrangements > magic serials< sees the berlin-based producers on top of his game. while name checking the tools of his work (the serials, got it?), mp unfolds untold stories of love, high spirits and deep meditation that every romantic rave craves for – acid poetry included.

foolish felix dickinsons superb cynic label land a repress of this much sought after uk acid classic! this release is finally getting a very limited re-press. dusk till dawn is an old school acid house slammer reminiscent of tracks like mike dunns *let it be house* and armandos *151*. 808 drums and double 303 acid lines combined with pitched down vocals. played by everyone from larry heard to mark archer. liquid soul drops is a more modern weirdo slow-mo acid jam as championed by andy weatherall.

like the satisfying first sip of soda water spritz, roland tings debut ep, *milky way*, bubbles, barms, and beads through your body. roland tings is rohan newman, a melbourne producer who, like recent rubies holy balm, forces, and canyons, proves there is just more and more greatness behind the great and powerful oz. melodic acid trips doused with swish-ticky-booms, like a rubber ball in space with endless bump and bounce. sweet off his japanese jaunt, speeding things down with sapphire slows shows, newmans taste is pure effervescence and buoyancy. but he has got a percussive stickiness as well, a vim/vigor that raps and rips through trax touch-ups and echo-plexes. not the nineties but the none-ties – no glimmer glam, or sampladelic vocal vacations, or happy house heartbeats. he ends the creamy *milky way* with a brilliantly wonky theme that springs like a wind-up toy gone loose. roland tings, dings, and zings.

saveds second release for 2013 comes from label debutant julien chaptal who presents the 2 track *illin ep*.
fist up on the a side is *eat ya foe*, a track which is built on unique percussion that possesses a warm bit crush effect. these foundations support the bouncing bassline which has an acid feel to it that works well against the potent vocals.
further damage is caused on the flip with *illin* where the rolling drums build nicely into the engaging lead line that advances through the track with filters and variations.

collectors edition / cover 4 of 4 all 4 covers together are 1 big illustration of katerholzig berlin.

black tekno emerges from the undercurrent of chicago with its first release, an acid infused, floor jacking four track ep from noleian reusse entitled *second language*. the songs here are aimed at the dancer, ranging from emotional sci fi to straight up party jams. all tracks were recorded live - hands on the keys, knobs and faders of noleian’s analog hardware setup.

sometimes your creating a declaration of love - automatically. beatamines composed many of those lines for extraordinary, dancing people, for electronic music and the possibility to express himself with tracks like >i said< or >something soul<. his tracks were released on mbf (traumschallplatten), damm records, keno and on his mother-label mangue records. but beatamines does not only work as a solo producer, he also releases tracks with his mate david jach - each number got a place in the charts .he is packing the emotions of a summer love into it, underlined with fat baselines, pregnant claps and magic melodies. we welcome beatamines as new bondage-music member. his first ep on bondage-music comes with the track >tonite< incl. remix from dachshund (highgrade) and the track >wknd< incl. remix from channel x (stil vor talent). early support from mihai popoviciu, pimont, patrick kunkel, tom novy, sis, benno blome, david keno, kiki, anderson noise, sven vaeth, pawas, sasha, acid pauli, robert owens, heartik, aruba, affkt, patrick zigon, someone else, oliver schories

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

for its tenth release, sharivari presents nakama ep, another special project with 4 tracks from the land of the rising sun. ufos acid jazz classic somewhere gets re-edited by the serbian duo j-house, aka jan nemecek and danilo tomic, while sapporo based musician kuniyuki takahashi brings his usual deep and percussive vision of house music. on the flip, rush hour artist haruki matsuo and japanese techno legend ken ishii deliver 2 straight but warm & deep techno cuts. 300 copies pressed on marbled vinyl.

*magdalena* ist die zweite single aus dem *look around the corner* album von quantic und alice russell mit der combo barbaro. diese zweite single-auskopplung vereint einen unwiderstehlichen soulful stampfenden groove mit lebendigen folkloreeinflüssen und einem singalong gefühl. der titeltrack ist eine fundgrube von remixen und exclusives. behling & simpson bringen ein deep disco house reworking von *magdalena*, hint & anchorsong kommen mehr cutting-edge um die ecke, und simbad mixt den hit *look around the corner* mit gospel vocals und einem acid club flava in zwei versionen, außerdem gibt es *magdalena* noch als extended version und in der acoustic version. dem vinyl liegt eine cd mit 10 verschiedenen versionen und remixen bei.

doubleheart, the collaborative project of two of scotlands longest serving creative individuals in electronic music - jd twitch (optimo espacio) and neil landstrumm. taking its name from title song *roots* - a sub heavy, tension building track that re-imagines jamaican dub poet michael smiths original from the seminal 1982 album ‘mi cyaan believe it - the ep as a whole works as an analogue exploration into the rawer side of dance music. working together allows these veteran producers to fuse their individual styles and musical sensibilities, combining landstrumms raw aesthetic and mastery of hardware manipulation with twitchs unrivalled knowledge of what makes a dancefloor tick. spawning from the depths of their imaginations and machines are 4 club-ready tracks brimming with anticipation and menace. although taking its inspiration from 80s electro and 90s acid & rave, the final result is far from a throwback to a halcyon, bygone era. instead, they have managed to carve out a distinctive sound the bleeps and bangs its way firmly into 2013.
dj support from optimo, ben ufo, joe goddard (hot chip / 2 bears), nightwave, daniel avery, lando kal, sinden, clouds, west norwood cassette library, medlar, hot city, tayo, auntie flo, sei a ...

new chi label: olin brings rich synths with tight drum programing, garrett david combines 909s with dreamy pads & vocal stabs, jorge cenra powers through with vocals, bleeps, & arpeggiated synths, greg k combines acid house with jazz sax.

to kick off the launch of san franciscos jacktone records, we present our first release - two reverb-soaked acid tracks from san francisco native, jay fields, under his exillon moniker. the tracks meld otherworldly tones and lo-fi acidic grooves with an exquisitely dark and melodic techno mood to create an ominous no lights atmosphere in the bunker or on headphones.

special remark the track acid dunes will be only released on vinyl. 77 copys hand-numered copies with tape (in a sleeve)

for all egypt and acid lovers here is the release: walk on acid dunes, follow the arabian moon. the combination of acid, vocoder, electro, deep chords and oriental melodies.

preceding the release of bad cop bad cops debut album >wings of techno<, 4 tracks of the long player get the remix treatment by a unique quartet of techno artists: tobias, group niob, brendon moeller and pomelos upcoming star kemetrix. >wings of techno< is a psychedelic tour-de force through various styles of electronic sounds. deep and unique, jacking at times while laid back and cosmic at others. all four remixers on duty here manage to keep the psychedelic and surreal feel of the originals intact while adding a great dose of dancefloor friendliness to the tracks. ostguts tobias. reworks hilton hihat into a deep and dreamy acid techno tune. he is followed by motor city talent kemetrix, who steps up the pace and edginess with a twisted, stomping electro-techno hybrid remake of beauty. group niob, the viennese duo formed by cheap records legend gerhard potuznik and martin dibek, contrast the goth-pop vocals of the original bodyless material with deep dubbed- out techno beats. and lastly, the unmistakeable brendon moeller turns cheeky into an undulating, deep bass driven dub techno stomper

tanstaafl ends the year with october and john osborn manning the helm bracing us for the dark days that lie ahead. big kicks and pseudo acid sounds collide with dub sound system principles in this collaboration between the two label heads. limited to 300 units so get them while they last.

double 12 of jared wilson style skudge.... deep acid vibes. new school detroit.... fresh! tip!

toolbox is very proud to introduce you to this exceptional records!this realeease was planned to be killit17, on kill out recordings...in 1993!this is an anniversary realese:tunes are 20 years old and were never played niether on vinyl.this limited 300 copies edition is a real big thing for all acid music lovers.

re-release des aphex twin-albumklassikers von 1995. nagelneue auflage auf 180g vinyl mit downloadcode.

overs and skaters, come one, come all because frank & tony are back for their the third ep in the >frank & tony presents… < series on scissor and thread. this time the boys search for affection has lead them to their first collaboration with their label mate, the mysterious… in a sexy way… black light smoke! breath game delivers twelve plus minutes of tantric rhythm thats sure to spur your urge to merge. on the flip corbu returns for an indie-minded acid-tinged get down made for filthy frothy fun.

after 21 releases and covering most areas of house its time to introduce anaxander and present a new sound to the ever growing local talk catalogue. the a side antionette is a perfect electronic influenced body-locking flavored track, an organ alongside a bouncing bass and a rhythmic feel is sometimes all you need to get moving ! its the b-side that really take things to the next level. anaxander both puts his own clever stamp on these two tracks and delivers acid in the old, vintage sense that owes more to the raw and unpolished club tracks played by ron hardy at music box than to the old school house vibes you have expected from local talk. both cat feeding and i want you now are two tracks of a new era of local talk. innovating, futuristic and original produced electronic analogue funk for 2012

acid techno killer : 303 hand numbered edition, packed in a classious printed sleeve. 2 long tunes, very expressives and efficient, with fat reprises. check the amazing sound quality... both sides pressed 33rpm for crazy djs to play these 45rpm.

2junxion are coming from the nederlands, they play live as a team. here the sound are 2 banging acid techno very acidcore and agressive, with insane bassy vocals. superb tunes!

vinyl only! we start off our string of releases with a flash back to the groovey days of chi-town, breakin it up and layin it down like it is. and to boot, we got sushitech regular anonym to back us up with a stompin acid rework of a side, just for you.